Video Art and New Media

Video Art and New Media

“Project Europe, Imagining the (Im)possible” at the Samuel P. Harn Museum of Art, Gainesville, Florida, in Camera Austria 110 (2010), pp. 62-63.

“Bill Viola” at the Guggenheim Museum Soho in Camera Austria 57/58 (1997), p. 99.

“Mediascape”
at the Guggenheim Museum in Soho, New York in Sculpture 15, no. 10 (December 1996), pp. 55-56.

“The Dead Souls: An Interactive virtual reality installation” at Postmasters Gallery in New York in Camera Austria 55 (1996), pp. 70-71.

“Video Spaces: Eight Installations”
at The Museum of Modern Art in New York in Camera Austria 53 (1995), pp. 91-93.

“Video Spaces: Eight Installations”
at The Museum of Modern Art in New York City in Art Papers 19, no. 6 (November/December 1995), pp. 52-53.

“Luc Courchesne” at the Museum of Modern Art in New York in Art Papers 19, no. 1 (January/February 1995), pp. 60-61.

“Gary Hill”
at the Hirshhorn Museum in Washington, D.C. in Camera Austria no. 49 (December 1994), pp. 79-80.

“Gary Hill” at the Hirshhorn Museum in Washington, D.C. in Art Papers 18, no. 5 (September/October 1994), pp. 45-46.

“Virtual Reality Dominates SIGGRAPH”
in Art Papers 18, no. 6 (November/December 1994), p. 58.

“Heidi Kumao: Tied”
at the Washington Project for the Arts in Art Papers 18, no. 3 (May/June 1994), p. 50.

“Video Installations: Shigeko Kubota, Marcel Odenbach, Matthew Barney, Pierrick Sorin, Bruce Nauman” at the Barbara Gladstone Gallery in New York in Art Papers 18, no. 3 (May/June 1994), p. 61.

“Tomorrow’s Palette”
Art & Technology in Art in America 82, no. 4 (April 1994), pp. 36-41.

“Review of Montage 93” in Camera Austria no. 45 (December 1993), pp. 65-66.

“Montage 93: International Festival of the Image” in Rochester, New York in Art Papers 17, no. 6 (November/December 1993), pp. 56-57.

“Interview: John Hanhardt” in Art Papers 17, no. 4 (July/August 1993), pp. 21-24.

“Transparence/Transcendence”
Samuel P. Harn Museum of Art, Gainesville, Florida in Art Papers 17, no. 3 (May/June 1993), pp. 45-46.

“Through the Looking Glass: Artists’ First Encounters with Virtual Reality” at the Jack Tilton Gallery in New York in Art Papers 16, no. 6 (November/December 1992), pp. 52-53.

“The Biennial of Contemporary French Art: The Love of Art” in the Fall of 1991 in Lyon, France in Art Papers 16, no. 2 (March/April 1992), p. 42 (together with Gregory R. Miller).

“Interactivity: From Sound to Motion to Narrative” in Art Papers 15, no. 5 (September/October 1991), pp. 7-11.

“Interactivity in the Electronic Age” in Sculpture 10, no. 3 (May/June 1991), pp. 36-43.

“International Festival of Group Art”
Marseilles, France in Art Papers 14, no. 4 (July/August 1990), pp. 72-73.

“1989 Whitechapel Open” at Whitechapel Gallery, London, United Kingdom in Art Papers 14, no. 3 (May/June 1990), pp. 72-73.

“Video installation by Suzanne Giroux” at the University Gallery, Gainesville, Florida in Art Papers 14, no. 2 (March/April 1990), pp. 41-42.

“Tech Ref” on video production for artists in Sculpture 8, no. 4 (July/August 1989), p. 43.

“Artist Videos: A Status Report” in Sculpture 8, no. 1 (January/February 1989), pp. 86-90.

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