Sculptural Installations and Public Art

Sculptural Installations and Public Art

“Revolution is Sneakier: A Conversation with Vito Acconci”
in Artists Reclaim the Commons, New Works / New Territories /
New Publics
.
Edited by Glenn Harper and Twylene Moyer. Hamilton, NJ: isc Press, (2013) pp. 159-163.

“Project Europe, Imagining the (Im)possible” at the Samuel P. Harn Museum of Art, Gainesville, Florida, in Camera Austria 110 (2010), pp. 62-63.

“Subtle Power: Alfredo Jaar’s Recent Installations and Permanent Public Interventions” in Sculpture 29 no. 10
(December 2010), pp.56-61.

“Leslie Fry” at the Allyn Gallup Contemporary Art in Sarasota, Florida, in Sculpture 29, no. 6 (July/August 2010), p. 74-75.

“Little Sparta: Ian Hamilton Finlay’s Garden” in Landscapes from Art: Contemporary Sculpture Parks. edited by Glenn Harper and Twylene Moyer. Hamilton, NJ: isc Press, 2008, pp. 176-179.

“Memory, Monuments, Mystery, and Iron: Beverly Pepper” in Conversations on Sculpture. edited by Glenn Harper and Twylene Moyer, Hamilton, NJ: isc Press, 2007, pp. 20-25.

“The Responsibility of Privilege: Alfredo Jaar” in Conversations on Sculpture. edited by Glenn Harper and Twylene Moyer. Hamilton, NJ: isc Press, 2007, pp. 210-217.

“Teresita Fernández” in A Sculpture Reader: Contemporary Sculpture Since 1980. edited by Glenn Harper and Twylene Moyer. Hamilton, NJ: isc Press, 2006, pp. 76-78.

“Buddhism and Contemporary Sculpture: The Manifestation of Awareness” in Sculpture 23 no. 7 (September 2004), pp.46-51.

“The Responsibility of Privilege: A Conversation with Alfredo Jaar” in Sculpture 23 no. 4 (May 2004), pp. 42-59.

“Epic Sculpture, An Interview with Ursula von Rydingsvard” in Art Papers 26, no. 5 (September/October 2002), pp. 12-13.

“Revolution is Sneakier: A Conversation with Vito Acconci” in Sculpture 21 no. 7 (September 2001), pp. 44-51.

“Miami Supports Miami” in Sculpture 20 no. 10 (December 2001), pp.46-51.

“From Victim to Power, Women Across Cultures and Time” an Interview with Nancy Spero, in Art Papers 25, no. 6, 25th Anniversary Commemorative Edition (November/ December 2001), pp. 32- 35.

“Westen Charles: Relocated Aspirations” in Sculpture 20 no. 8 (October 2001), pp.16-17.

“Otto Rigan: Glass and Stone” in Sculpture 20 no. 3 (April 2001), pp.12-13.

“Wopo Holup: Cycles of Nature” in Sculpture 20, no.2 (March 2001), pp. 8-9.

“Food and the Senses in the Art of Ann Hamilton and Ursula von Rydingsvard” in Copia, The American Center for Wine, Food and the Arts, Napa, California, Volume 3, Issue 1, (2000) pp. 5-8.

“UltraLounge: The Return of Social Space (with Cocktails)” in Sculpture 19, no. 8 (October 2000), p. 59.

“Ursula von Rydingsvard” at Galerie Lelong in New York in Sculpture 19 no.7 (September 2000), pp. 67-68.

“Frank Stella” at the Museum of Contemporary Art in North Miami in Sculpture 19 no.7 (September 2000), pp. 60-61.

“Interview with Alex Grey” in New Art Examiner, vol. 27, no. 10 (July/August 2000), pp. 16-19.

Marcel Duchamp: A Game of Chess, amazon.com, 2000

“From Form to Formlessness: A Conversation with Shirazeh Houshiary” in Sculpture 19, no.6 (July/August 2000), pp. 24-29.

“Atelier Van Lieshout” at the Contemporary Art Museum of the University of South Florida, Tampa, Florida in Sculpture 18, no.10 (December 1999), pp. 64-65.

“Memorial for Anonymous: An Interview with Christine Borland” in Sculpture 18, no.8 (October 1999), pp. 16-23.

“Athena Tacha-Sealed Memories (to E.H.J)” at the University Gallery of University of Florida in Gainesville in Sculpture 17, no. 6 (July/August1999), pp. 65-66.

“the body and the object: Ann Hamilton 1984-1996, Ann Hamilton: woven” at The Miami Art Museum in Miami, Florida in Sculpture 18, no. 2 (April 1999), pp. 70-72.

“Teresita Fernandez: The Structure of Space” in Sculpture 18, no.1 (January/February 1999), pp. 8-9.

“Paths to Success: Recently Emerged Artists” in Sculpture 17, no.6 (July/August 1998), pp. 49-53.

“Memory, Monuments, Mystery, and Iron” an interview with Beverly Pepper in Sculpture 17, no.4 (April 1998), pp. 34-39.

“Nayland Blake interviewed by…” Interventions and Provocations, Conversations on Art, Culture, and Resistance, Glenn Harper (editor). State University of New York (1998), pp. 207-217.

“Lili Dujourie” at Lisson Gallery in London, U.K. in Sculpture 17, no. 2 (February1998), pp. 70-71.

“Sculpture in Barcelona” in Sculpture 17, no. 1 (January 1998), pp. 12-13.

Essay for catalogue of Dove Bradshaw: Sculptures in Denmark, 1997.

“Michele Oka Doner: A Walk on the Beach”
in Sculpture 16, no. 9 (November 1997), pp. 12-13.

“David Royal Olson” at the Jacksonville Museum of Contemporary Art in Sculpture 16, no. 9 (November 1997), p. 66.

“Linda Matalon” at Miami-Dade Community College in Miami, Florida in Sculpture 16, no. 8 (October 1997), p. 58.

“Carol Brown: Order and Organism” in Sculpture 16, no. 4 (April 1997), pp. 10-11.

“Three-Legged Race” at the former Harlem firehouse with Janine Antoni, Nari Ward and Marcel Odenbach in Sculpture 16, no. 3 (March 1997), pp. 57-58.

“Robert Chambers: Material, Imagination, and Communication” in Sculpture 16, no. 1 (January 1997), pp. 8-9.

“A conversation with Mayme Kratz”
in Lisa Sette Gallery Newsletter 2, no. 2 (Winter/Spring 1996), pp. 3-4.

“Dossier: Vienna” in Sculpture 15, no. 10 (December 1996), pp. 10-11.

“Ursula von Rydingsvard” in Sculpture 15, no. 9 (November 1996), pp. 26-30.

“Lika Mutal” at the Nora Haime Gallery in New York in Sculpture 15, no. 8 (October 1996), pp. 64-65.

“Robert Chambers: Interview”
in Art Papers 20, no. 4 (July/August 1996), pp. 10-13.

“Gaston Lachaise” at the Samuel P. Harn Museum of Art in Gainesville, Florida in Sculpture 15, no. 5 (May/ June 1996), p. 74.

“Site: Alan Sonfist” in Sculpture 15, no. 4 (April 1996), pp. 12-13.

“Duane Hanson” at the Norton Gallery in West Palm Beach, Florida in Sculpture 15, no. 4 (April 1996), p. 60.

“Barbara Neijna” at the Miami Art Museum of Dade County in Miami, Florida in Sculpture 15, no. 4 (April 1996), p. 60.

“Roxie Thomas” at the NationsBank Plaza in Tampa, Florida in Sculpture 15, no. 3 (March 1996), p. 58.

“Sol LeWitt” at the Samuel P. Harn Museum of Art in Gainesville, Florida in Sculpture 15, no. 3 (March 1996), pp. 58-59.

“Carol Hepper” at the Orlando Museum of Art in Florida in Sculpture 15, no. 3 (March 1996), pp.57-58.

“Dove Bradshaw” at Sandra Gering Gallery in New York City in ArtNews 95, no. 2 (February 1996), p. 136.

“Roxie Thomas” in the Southern Arts Federation 1995 Sculpture Fellowships, reprinted in Sculpture 15, no. 1 (January 1996), p. 64.

“Site: Nancy Holt” in Sculpture 15, no. 1 (January 1996), pp. 14 -15.

“Gaston Lachaise, The Monumental Sculpture” in American Art Review 7, no. 5 (October-November 1995), pp. 118-121.

“Labyrinth and Maze: Reviving Ancient Forms” in Sculpture 14, no. 4 (July/August 1995), pp. 28-33.

“Florida Review” (Karen Rifas, Carol Brown, Tom Gormley, Ralph Buckley, Maria Brito, Peter Kuentzel, Robert Chambers, Rowena Luna, Susan Banks, Onajide A. Shabaka, Rafael Consuegra, Robert Huff, Ingrid Hartlieb) in Sculpture 14, no. 4 (July/August 1995), pp. 42-43.

“Florida Review” (Fernando Botero, Man Ray, Shirazeh Houshiary, Richard Beckman) in Sculpture 14, no. 3 (May/June 1995), pp. 43-44.

“Transcending the Borders of Memory” at the Norton Gallery in West Palm Beach in Art in America 83, no. 5 (May 1995), p. 124.

“Florida Review” (María Brito, María Martínez-Cañas, Ana Mendieta, María Magdalena Campos-Pons, Saint Clair Cemin, Melvin Edwards, Wilhelm Moser) in Sculpture 14, no. 1 (January/February 1995), pp. 48-49.

“International Sculpture Conference: Beauty, Landfills and Other Matters” in Art Papers 19, no. 1 (January/February 1995) p. 66.

“Cildo Meireles: Volatile and Entrevendo” at the Capp Street Project in San Francisco in Art Papers 19, no. 1 (January/February 1995), p. 40.

“American Art Today: Heads Only”
at the Art Museum, Florida International University in Miami in Art Papers 18, no. 6 (November/December 1994), pp. 37-38.

“Florida Review” (José Bedia, Timothy Binkley, Marta Guitart, John McCormack, Tom Lesser, Linda Howard, Margaret Honda, Carol Jacque) in Sculpture 13, no. 6 (November/December 1994), pp. 48-49.

“Eugenio Dittborn” at the Center for the Fine Arts in Miami in Art Papers 18, no. 5 (September/October 1994), p. 46.

“Florida Review” (FASTWÜRMS, Helene Aylon, Petah Coyne, Joel House, Christy Rupp, James Accord, Kelly Brown, Helen Mayer and Newton Harrison, Alan Sonfist, Mel Chin, Ursula von Rydingsvard, Mark Lindquist, James Surls, Mel Kendrick) in Sculpture 13, no. 5 (September/October 1994), pp. 51-52.

“Florida Review” (Wim Delvoye, Leo Copers, Patrick Corillon, Jacques Charlier, Fumio Takasugi, Howard Ben Tré, Carter Kustera) in Sculpture 13, no. 4 (July/August 1994), pp. 48-49.

“Rosemarie Chiarlone: Boxes and Books” at the Barbara Gillman Gallery in Miami in Art Papers 18, no. 4 (July/August 1994), pp. 46-47.

“Interview: Mary Miss”
in Art Papers 18, no. 4 (July/August 1994), pp. 20-25.

“Elaine Reichek: Sign Language” at the Norton Gallery of Art in West Palm Beach in Art Papers 18, no. 4 (July/August 1994), p. 47.

“Bad Girls, Part I” at the New Museum in New York in Art Papers 18, no. 4 (July/August 1994), p. 41.

“Studio: Shirazeh Houshiary” in Sculpture 13, no. 4 (July/August 1994), pp. 10-11.

“Interview: Kelly Brown” in Art Papers 18, no. 4 (May/June 1994), pp. 26-29.

“Florida Review”
(Peter Weibel, Alfredo Jaar, Elaine Reichek, Susan Banks, Robert Chambers, Robin Groffiths and Robert Thiele) in Sculpture 13, no. 2 (March/April 1994), pp. 48-49.

“Site: Ian Hamilton Finlay’s Garden” in Sculpture 13, no. 1 (January/February 1994), pp. 16-17.

“Interview: Art Attack (Alberto Gaitán and Lynn McCary)” in Art Papers 18, no. 1 (January/February 1994), pp. 19-23.

“Little Sparta: Ian Hamilton Finlay’s Garden” in Garden Design (November/December 1993) 12, no. 5, pp. 22-25.

“Interview: Dawn Dedeaux” in Art Papers 17, no. 6 (November/December 1993), pp. 2-6.

Essay for catalogue of Shirazeh Houshiary: Turning Around the Centre, a touring exhibition of the Fine Arts Center, University of Massachusetts at Amherst, opened November 5, 1993, published 1994.

“Dossier: Glasgow, Scotland” in Sculpture 12, no. 3 (May/June 1993), pp. 26-27.

“Transparence/Transcendence” Samuel P. Harn Museum of Art, Gainesville, Florida in Art Papers 17, no. 3 (May/June 1993), pp. 45-46.

“Antony Gormley: Field” at the Corcoran Gallery of Art, Washington, D.C. in Art Papers 17, no. 3 (May/June 1993), p. 44.

“herman de vries” at Inverleith House, Royal Botanic Garden, Edinburgh, Scotland in Sculpture 12, no. 1 (January/February 1993), p. 72.

“Wilhelm Mundt”
at the Lisson Gallery, London, England in Art in America 80, no. 12 (December 1992), p. 126.

“Jackie Ferrara, Retrospective” at the Ringling Museum of Art in Sarasota, Florida in Sculpture 11, no. 4 (July/August 1992), p. 65.

“Bryan Hunt: The Early Work” at the Orlando Museum of Art in Orlando, Florida in Sculpture 11, no. 3 (May/June 1992), pp. 90-91.

“A Tribute to Virginia Dwan”
at the Galerie Montaigne in Paris, France in Art Papers 16, no. 3 (May/June 1992), p. 30.

“The Biennial of Contemporary French Art: The Love of Art” in the Fall of 1991 in Lyon, France in Art Papers 16, no. 2 (March/April 1992), p. 42 (together with Gregory R. Miller).

“Jean Marc Bustamante” at the Ghislaine Hussenot Gallery and the Samia Saouma Gallery in Paris, France in Art in America 86, no. 2 (February 1992), p. 128.

“The Nature of Sculpture” exhibition at the Jacksonville Art Museum, Jacksonville, Florida, with work by Patrick Dougherty, Tom Czarnopys, Carol Hepper, Kazuo Kadonaga, Deborah Butterfield in Sculpture 11, no. 1 (January/February 1992), p. 57.

“Dossier: Lyon, France” in Sculpture 11, no. 1 (January/February 1992), pp. 14-15.

“Maria Brito” mixed media works at the Ann Jaffe Gallery, Miami, Florida in Art Papers 15, no. 6 (November/December 1991), p. 96.

“Interview with Alan Sonfist”
in Art Papers 15, no. 6 (November/December 1991), pp. 37-42.

“Elisa Arimany” sculpture at the Center for the Fine Arts, Miami, Florida in Sculpture 10, no. 4 (July/August 1991), pp. 55-56.

“J.S.G. Boggs” at the Tampa Museum of Art, Tampa, Florida in Sculpture 10, no. 2 (March/April 1991), p. 60.

Essay for catalogue of the retrospective exhibition of the work of Terry Adkins at Anderson Gallery, Virginia Commonwealth University, October 28 – December 23, 1990.

ART ATTACK’s Installation “Recombinant Phoenix” at the Festival International de l’Art de Groupe, Marseilles, France, in Washington Review 14, no. 3 (October/November 1990), p. 21.

“International Sculpture ’90 Conference” in Art Papers 14, no. 5 (September/October 1990), p. 75.

“Recent Sculptures and Prints by Terry Adkins” at Valencia Community College, Orlando, Florida in Sculpture 9, no. 4 (July/August 1990), pp. 55- 56.

“International Festival of Group Art” Marseilles, France in Art Papers 14, no. 4 (July/August 1990), pp. 72-73.

“Recent Sculptures by Mel Kendrick” at the Salama-Caro Gallery, London, United Kingdom, in Sculpture 9, no. 3 (May/June 1990), pp. 98-99.

“1989 Whitechapel Open” at Whitechapel Gallery, London, United Kingdom, in Art Papers 14, no. 3 (May/June 1990), pp. 72-73.

“A New Direction in French Installation”
in Sculpture 9, no. 2 (March/April 1990), pp. 34-35.

“Retrospective of William Schaaf” at Valencia Community College, Orlando, Florida in Sculpture 8, no. 2 (March/April 1989), p. 36.

“Susana Sorí” at the Thomas Center Gallery, Gainesville, Florida in Sculpture 7, no. 3 (May/June 1988), pp. 32-33.

“Sculpture Park of St. Margarethen” in Sculpture (May/June 1987), p. 29.

“A European Commission: The Architect’s Perspective” in Sculpture (March/April) 1987), p. 20.

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