Photography and Installation

Photography and Installation

“Project Europe, Imagining the (Im)possible” at the Samuel P. Harn Museum of Art, Gainesville, Florida, in Camera Austria 110 (2010), pp. 62-63.

“Lee Friedlander” at the Museum of Modern Art, New York, in Camera Austria 91 (2005), p. 88.

“Contemporary Photography from the Harn Museum Collection, Part II: Alternate Structures” at Samuel P. Harn Museum of Art in Gainesville, Florida in Camera Austria 86 (2004), p. 75.

“The Responsibility of Privilege: A Conversation with Alfredo Jaar” in Sculpture 23 no. 4 (May 2004), pp. 42-59.

“Beyond Post Modernism: The Spiritual in Contemporary Art, Metaphysical is Hip (Again)” in Art Papers 26, no. 1, cover story (January/February 2002), pp. 30-36.

“Modernismo Tropical: Sergio Vega” at Samuel P. Harn Museum of Art in Gainesville, Florida in Camera Austria 78 (2002), p. 87.

“Annie Leibovitz: Women” at the Corcoran Gallery in Washington D.C. in Camera Austria 74 (2001). p. 77.

“Taken From Point G” at the University Gallery of the University of Florida, Gainesville in Camera Austria 73 (2001), p. 77.

“Linda McCartney’s Sixties” at Tampa Museum of Art, Tampa, Florida in Camera Austria 70 (2000), pp. 75-76.

Man Ray: Prophet of the Avant-Garde, amazon.com, 2000

Henri Cartier-Bresson, amazon.com, 2000

Richard Avedon: Darkness and Light, amazon.com, 2000

Annie Leibovitz: Celebrity Photographer, amazon.com, 2000

“Gordon Parks: Midway, Portrait of a Daytona Beach Neighborhood” at the Southeast Museum of Photography in Daytona Beach in Camera Austria 66 (1999), p. 109.

“Alfredo Jaar” at the Fort Lauderdale Museum of Art, Fort Lauderdale, Florida in Sculpture 18, no.10 (December 1999), pp. 63-64.

“Alfredo Jaar: Let There be Light/ It is Difficult” in Camera Austria 66 (1999), pp. 118-119.

“Athena Tacha-Sealed Memories (to E.H.J)” at the University Gallery of University of Florida in Gainesville in Sculpture 17, no. 6 (July/August1999), pp. 65-66.

“Peering through History: Interview with Sarah Charlesworth” in Art Papers 22, no. 43 (May/June 1998), pp. 18-21.

“Sarah Charlesworth – A Retrospective” at the National Museum of Women in the Arts, Washington D.C. in Camera Austria 64 (1998), p. 97.

“From the Background to the Foreground: The Photo Backdrop and Cultural Expression”
at the University Gallery, University of Florida, Gainesville in Camera Austria 64 (1998), pp. 98- 99.

“Rrose is a Rrose is a Rrose, Gender Performance in Photography” at the Solomon R. Guggenheim Museum in New York in Camera Austria 59/60 (1997), pp. 133-134.

“New Work: Lorna Simpson” at the Miami Art Museum of Dade County, Miami in Camera Austria 59/60 (1997), p. 136.

“Painting into Photography, Photography into Painting” at the Museum of Contemporary Art, North Miami in Camera Austria 57/58 (1997), pp. 149-150.

“In/Sight: African Photographers, 1940 to the Present” The Guggenheim Museum, New York in Camera Austria 56 (1996), pp. 97-102.

“Witness” at Southeast Museum of Photography, Daytona Beach in Camera Austria 54 (1996), pp. 82-83.

“Annette Messager” at The Museum of Modern Art in New York in Camera Austria 54 (1996), pp. 81-82.

“Ethereal Images” at Southeast Museum of Photography, Daytona Beach in Sculpture 15, no. 5 (July/August 1996), pp. 56-57.

“Art, Pleasure and Community: Interview with Nayland Blake” in Art Papers 19, no. 4 (July/August 1995), pp. 8-11.

“Large Bodies” at the Pace Wildenstein MacGill Gallery in New York in Camera Austria 53 (1995), p. 91.

“Cindy Sherman: Film Stills” at the Hirshhorn Museum and Sculpture Garden in Washington, D.C. and “Cindy Sherman: Auteur” at the Norton Museum in West Palm Beach, Florida in Camera Austria 51/52 (1995), p. 177.

“Alfredo Jaar” at the Center for the Fine Arts in Miami in Camera Austria 49 (1994), p. 81.

“American Art Today: Heads Only” at the Art Museum, Florida International University in Miami for Art Papers 18, no. 6 (November/December 1994), pp. 37-38.

Essay for catalogue of Béatrice Helg: Architectonic Illusions at the Southeast Museum of Photography, Daytona Beach, Florida, September 13 -October 28, 1994.

“Alfredo Jaar” at the Center for the Fine Arts in Miami in Art Papers 18, no. 4 (July/August 1994), p. 47.

“Craig Roper” at the Bianca Lanza Gallery, Miami in Art Papers 18, no. 1 (January/February 1994), p. 38.

“A Tribute to Virginia Dwan” at the Galerie Montaigne in Paris, France in Art Papers 16, no. 3 (May/June 1992), p. 30.

“The Biennial of Contemporary French Art: The Love of Art” in the Fall of 1991 in Lyon, France in Art Papers 16, no. 2 (March/April 1992), p. 42 (together with Gregory R. Miller).

“Seductive Deceptions: the Theatrical Image” photography show at the University Gallery, Gainesville, Florida in Art Papers 15, no. 2 (March/April 1991) p. 48.

“1989 Whitechapel Open” at Whitechapel Gallery, London, United Kingdom, in Art Papers 14, no. 3 (May/June 1990), pp. 72-73.

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