Contemporary Artists Based in Europe

Contemporary Artists Based in Europe

“Project Europe, Imagining the (Im)possible” at the Samuel P. Harn Museum of Art, Gainesville, Florida in Camera Austria 110 (2010), pp. 62-63.

“Beyond Post Modernism: The Spiritual in Contemporary Art, Metaphysical is Hip (Again)” in Art Papers 26, no. 1, cover story (January/February 2002), pp. 30-36.

“Shirazeh Houshiary”
at Lehmann Maupin Gallery in New York in Art Papers 24, no. 1 (January/February 2000), pp. 47-48.

“From Form to Formlessness: A Conversation with Shirazeh Houshiary” in Sculpture 19, no.6 (July/August 2000), pp. 24-29.

Henri Cartier-Bresson, amazon.com, 2000

“Atelier Van Lieshout” at the Contemporary Art Museum of the University of South Florida, Tampa, Florida in Sculpture 18, no.10 (December 1999), pp. 64-65.

“Memorial for Anonymous: An Interview with Christine Borland”
in Sculpture 18, no.8 (October 1999), pp. 16-23.

Essay for catalogue of Béatrice Helg: Architectonic Illusions at the Southeast Museum of Photography, Daytona Beach, Florida, September 13 -October 28, 1994.

“Studio: Shirazeh Houshiary” in Sculpture 13, no. 4 (July/August 1994), pp. 10-11.

“Peter Weibel: From Globe to Glove” at the Contemporary Art Museum, University of South Florida, Tampa in Art Papers 18, no. 2 (March/April 1994), p. 32.

“Site: Ian Hamilton Finlay’s Garden” in Sculpture 13, no. 1 (January/February 1994), pp. 16-17.

“Little Sparta: Ian Hamilton Finlay’s Garden” in Garden Design 12, no. 5 (November/December 1993), pp. 22-25.

“Interview: Michael Mazière” in Art Papers 17, no. 6 (November/December 1993), pp. 30-35.

Essay for catalogue
of Shirazeh Houshiary: Turning Around the Centre, a touring exhibition of the Fine Arts Center, University of Massachusetts at Amherst, opened November 5, 1993, published 1994.

“Crossing Tracks: Thierry Kuntzel and Chris Marker” interview with Gregory Ulmer in Hybrid 1, no. 2 (April/May 1993), pp. 46-47.

“Interview: Ian Hamilton Finlay” in Art Papers 17, no. 1 (January/February 1993), pp. 30-33.

“Interview: Pavel Büchler” in Art Papers 17, no. 1 (January/February 1993), pp. 38-40.

“Abigail Lane” at Karsten Schubert Gallery in London, England in Art in America 81, no. 1 (January 1993), pp. 111-112.

“Edinburgh: On Heat/The Art of Will Maclean/Andy Goldsworthy/herman de vries” four exhibitions in Edinburgh, Scotland in Art Papers 17, no. 1 (January/February 1993), p. 41.

“Glasgow and London: Tony Cragg / Gereon Lepper” a major retrospective of Cragg’s work at the Centre for Contemporary Arts / Tramway in Glasgow and Lepper’s work at the Chisenhale Gallery in London in Art Papers 17, no. 1 (January/February 1993), p 42.

“The Edinburgh International Festival and Fringe” in Art Papers 16, no. 6 (November/December 1992), pp. 66-67.

“Sophie Calle” at the Museum of Modern Art of the City of Paris in Art Papers 16, no. 2 (March/April 1992), p. 43.

“The Biennial of Contemporary French Art: The Love of Art” in the Fall of 1991 in Lyon, France in Art Papers 16, no. 2 (March/April 1992), p. 42 (together with Gregory R. Miller).

“Passages de l’Image” touring exhibition of the Centre Pompidou at the Wexner Center for the Arts, Columbus, Ohio- the complete exhibition in Art Papers 16, no. 1 (January/February 1992), pp. 62-63 (together with Gregory R. Miller).

“Passages de l’Image” touring exhibition of the Centre Pompidou at the Wexner Center for the Arts, Columbus, Ohio—the sculptural installations in Sculpture 10, no. 6 (November/December 1991), p. 57.

“International Festival of Group Art” Marseilles, France in Art Papers 14, no. 4 (July/August 1990), pp. 72-73.

“1989 Whitechapel Open” at Whitechapel Gallery, London, United Kingdom in Art Papers 14, no. 3 (May/June 1990), pp. 72-73.

“Interview: Shirazeh Houshiary” in Art Papers 13, no. 6 (November/December 1989), pp. 14-17.

“A European Commission: The Architect’s Perspective” in Sculpture (March/April) 1987), p. 20.

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